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THERE CAN NEVER BE ANOTHER… SUCHITRA SEN!

Matchless! Timeless! Deathless! On her 91st Birthday, Monojit Lahiri pays homage to Bengal’s gone but never forgotten, l...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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Women and Welfare

Humra Quraishi’s commentary today views welfarism and how it has gone wrong in India because it was applied only after p...

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Rocket Girl

Khalid Mohamed interviews Saba Azad, the multi-faceted actor, dancer, theatre director, singer who made an impact with the ser...

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The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...

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Family Ties

Film historian Dhruv Somani salutes the Kapoors, the first family of Indian cinema.

Business culture, work environments are usually based on hierar...

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KAMLESH PANDEY: Ballia to Bollywood via Ishtihaarpur

Aparajita Krishna goes with adman, writer Kamlesh Pandey on a long walk through his life and career, bringing back beautiful m...

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Acting ke peeche kya hai?

The ever-charismatic Madhuri Dixit, in a flashback conversation with Khalid Mohamed on how she perfected the art of acting by ...

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Revisiting Mani Kaul’s Mini-series Ahmaq

Devdutt Trivedi writes that in Ahmaq, Kaul wanted to underline the symbiotic relationship between Hinduism and Islam.

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Kitu Gidwani: Distinctly Yours!

Aparajita Krishna flashbacks and forward with the life and times of Kitu Gidwani – an actor with, perhaps, the most well...

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